The hooks fly effortlessly as it goes along, and Shane O'Mara lets fly with a great guitar solo to match the ‘ playing guitar really loud' lyric. It's a straight-ahead love song, but nothing feels clichéd about it. After an eerie start, Rebecca Barnard's vocal snags you, right from the first line. I reckon this is one of the great debut singles of the ‘90s. The production has a little of that slinky 90s R&B feel to it and is a great example of how cross-cultural music really came into its own in the 90s. That energy isn't maintained the whole way through, it quickly settles into a deep groove and allows Angélique to knock us dead with brilliant voice of hers. The opening refrain of this vibrant 1996 single from Beninese tour de force Angélique Kidjo is one of the most infectious intros of the decade. Brendan's lilted delivery is a delight, especially when it follows his guitar lines, Steph Ashworth's bass characteristically centres the discordance, and Greg Wales' drums drive it all home. ‘Greater Expectations' hangs anxiously in the negative space, yet drives in equal measure. Sandpit were one of the first bands that made me explore open guitar tunings. With Steve Mason's stream of conscious at times baffling lyrics, digital bleeps and kooky percussion, backward rhythms and sounds that bounce around your head, this is a song I never want to end. Formed in Edinburgh, The Beta Band mixed folk with electronica, rock, pop, hip hop and almost everything else. The Beta Band – ‘Inner Meet Me'īy the late 90s, having done time with Britpop and Big Beat, it wasn't a sound or a movement that excited me. At 15, I had no idea what that meant, but I did know that this underrated act deserved more recognition and should have kept going. The strongest memory I have of this track is lead singer Gus asking for more foldback on the triple j Live at The Wireless version. These lads from Benalla, Victoria kind of faded into obscurity after their third EP. When the guys start shouting out Mount Druitt, Penrith, as well as their interstate mates, you know you gotta turn ‘A.U.S.T.' up nice and loud. Def Wish Cast knew they were up against it, and it's because of their hard work that we have such a thriving Aus hip hop scene today. ‘ Australia's trying to breakout, it's like a marathon, engaging yourself in a market takin' the world on,' Sereck concedes in the track. It was time for it to hit the next level. By this stage the Western Sydney group had been part of local B-Boy and graff circles for years. The whole track is a wake-up call to the industry, telling them that Aussie hip hop culture was strong. Because Def Wish Cast believed in the battle they were fighting. Unfortunately, it ended 808 State's run of UK Top 20 hits, falling outside of the Top 40, and hit the lofty heights of number 143 on the Australian chart. Given that Graham Massey from 808 State contributed to Björk's early solo work, this delicious track is something of a prototype for the world-conquering records that were to follow. This 1991 single was recorded in the period after Björk left The Sugarcubes, and prior to the release of her debut album. It confesses to bad choices that will inevitably be repeated: is it about love? Or does it hint at darker patterns of thought or behaviour? Perhaps I'm overthinking it, when I should hit repeat and return to head bobbing loon. Complementing both those conflicting guitar sounds, Kennedy's delivery is passionate and sexy yet wholesome enough to imitate (as I may or may not have done) without cringing. ‘Don't It Get You Down' kicks off their second album Milk and is built on their trademark jangly power pop vying with scuzzy garage riffs. Melbourne's Deadstar formed in 1995 as a collaboration between guitarist Barry Palmer ( Hunters & Collectors), singer Caroline Kennedy ( The Plums) and drummer Peter Jones ( Crowded House). They split in 2006, but singer/songwriter Euros Childs is still wonderfully prolific (and DIY), releasing an album a year, including a project with Teenage Fanclub's Norman Blake under the name Jonny. – Dorothy Markek 49. The wistful ‘Patio Song', taken from 1997's Barafundle, peaked at number 41 on the singles chart, the closest the band came to a hit. They could tease folk out any number of ways, from the gentle, pastoral side all the way out to the whimsical, rocking psych-freak edge. They're most simply described as a folk band, but it was never that simple with Gorky's. Along with Super Furry Animals, Gorky's Zygotic Mynci championed Welsh language music and brought it to mainstream British radio. This Welsh band's core trio came together in high school in the early 90s.
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